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本套丛书从人文视角对的历史、、文学、艺术、民行精当展示,独到解读、描绘风土人情和文化风貌,向国内外读者展示魅力。各分册在内容上较多吸收了相关领域*研究成果,注重讲故事,雅俗共赏。
文学源远流长,是的历史文化魅力标志符号。文学与历史、和艺术相互交融,同时也是中国文学的明珠。本书阐述了口传文学、书面文学以及介于两者之间的文类的形成和发展历史,呈现了各种藏文学形式中所蕴涵的的生活、思想和审美观念,是千百年来中国历史的真实见证。
Having a long history, Tibetan literature is a ol of unique historical culture and charm of Tibet. The Tibetan literature is in harmony with the Tibetan history, religion and art, and is known as the “pearl” of Chinese literature. The book gives an introduction to oral and written Tibetan literature genres as well as the elishment and development history of other compositions that fall in between these genres. It presents the Tibetan life, thoughts and aesthetic ideas implied by the Tibetan literary forms, serving as a testimony to China’s Tibetan history for thousands of years.
Chapter One
Tibetan Literature in the Age of Oral Tradition
Ⅰ. Natural and Cultural Literature Environment in the Age
of Oral Tradition
Ⅱ. Oral Tradition — the Cornerstone of Oral Literature
Ⅲ. Three Treasures in Tibetan Literature — Sgrung, Ldevu
and Bon
Ⅳ. Philosophical expression of Tibetan Oral Literature:
Proverbr />Chapter Two
The Agglomeration of Tibetan Oral Tradition: Gesar
Ⅰ. Introduction
Ⅱ. Origins: Social and Cultural Context
Ⅲ. Singers of Fairy Taler />Ⅳ. Text and Its Evolution
Ⅴ. Conservation and Preservation
Chapter Three
Basic Types and Texts of Written Literature (Ⅰ)
Ⅰ. Tibetan as Medium for Written Literature
Ⅱ. The Translation of Bhist scriptures as the Beginning
of Written Literature Ⅲ. Bhist Literature
Ⅳ. Historical Literature
Chapter Four
Basic Types and Texts of Written Literature (Ⅱ)
Ⅰ. Biographical Literature
Ⅱ. Terma Literature
Ⅲ. Poetry
Ⅳ. Novelr />Ⅴ. The Collection of Letterr />Chapter Five
The Literature Genreetween Oral Language
and Written Language
Ⅰ. Religious Song
Ⅱ. Maxim
Ⅲ. Persuasion
Ⅳ. Tibetan Opera
Acknowledgments ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ??
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